He may have lost track
of the buildings along his route,
the shapes and colors,
the sizes and the textures,
or perhaps has been 
negligent to notice
construction crews 
as they backdate 
and weather.
He told me once
how difficult it was
to move forward 
with only one cigarette
in the pack, and I replied
in the manner of a 
skagged-up sideman
at a cutting session
how much I like splitting wood
in theory, but how in practice 
it is too rough 
on the hands.
Under analysis,
he would calmly say
he didn’t care
about the evolution
of the inanimate, 
the dead wood aging
under the blank stare
of the sun,
his morning prayer
the opening trill of
“Rhapsody in Blue.”
He had once forgotten 
the names of his children,
confused them with
books of the Bible
or reindeer or planets.
He wrote a book 
about forgetfulness,
later abridged in 
some magazine or other,
and with carpet nails
he tacked responses
to the corkboard 
above his desk
until they grew 
so thick and plentiful
that the nails gave way
and reams of praise 
floated down around him
like New Hampshire snow.
And it is here he would
place the ending of this poem
had he written it,
leaving no net to catch
whatever scraps of life
fall from its ambiguity,
restless to move on
to the next lesson,
be it a song
or a kiss
or a smile.
 
A fine fine piece of work. Nice rhythms and images. I like the corkboard above the desk. I need one of those, sort of like they use at SNL to plan each show. I need something visual to keep track of ideas. Thanks for putting that thought in my noggin.
ReplyDeleteDid he lose to Ohio? How come nothing more?
ReplyDelete